[Free] Graphic Design: Unity And Rhythm Master Class

In just over 40 minutes, discover two dynamic design principles that will expand your creativity and grow your potential – Free Course

What you’ll learn

  • Expand your creative potential by developing and applying rhythm to your own art or design work.
  • Discover the unique art and design foundational platform that has traditionally been reserved only for elite private schools and colleges.
  • Be better able to understand what separates great design work from the everyday, and do more of the former and less of the latter.
  • Develop greater creative confidence.


  • No skills required to take this course. Look, read, imagine, and repeat is all that is truly required. If you wish to creatively explore with what you’ve experienced, feel free to either work hands-on or digitally. If you decide to explore things digitally, beginning-level Photoshop skills (or InDesign, Illustrator) should be all you’ll need.


“…This course was a gold mine! It’s something I’ve been unknowingly using in my designs all these days and answers so many of my questions.”

Got 48 minutes to enliven your creativity and way of visual thinking?

  • FREE! FREE! FREE! for all students through 3/1/22

  • No need to set aside an entire day or several hours at a time take a lesson or two while waiting for your latte!

  • The prequel for all art and design coursework.

  • This is the course you takebeforesubscribing to the others.

  • A breakthrough method in the teaching of visual rhythm.

  • Gain a head start on any art or design course.

  • Play any video in any order at anytime for a quick boost of inspiration.

  • Discover a game-changing art and design platform that has finally been made accessible and affordable.

  • No prerequisites

  • Enjoy greater creative confidence.



This course has taken over 10 years of workshops, research, testing, trial-and-error to develop,and has been created for art and design students, for those who enjoy design and the creative process, as well as for professionals who feel they could benefit from a better understanding how great design works. Its also been designed for educators as a highly useful, supplemental, asynchronous resource. A key benefit for educators can be realized by how this course can help reduce the necessity for direct, remedial intervention concerning issues of structure. A secondary benefit can be realized by improved student and team performance. A tertiary benefit can be realized through more effective educational scaffolding.

Understanding unity and rhythm is powerfully liberating!Understanding rhythm has traditionally been a challenge for many to grasp, but that was then this is now.

Will this course cover most of what you need to know about design?Heavens no! That would assume so much go right on the viewers end. Its more realistic to achieve a solid foundation vs. an overall jammed-up romp. Indeed, this is not your grandfathers design course nor your uncles.

This course dives deep into two main principlesthat will prove to be highlybeneficial if your goal is to become better at whichever aspect of the visual arts you wish to embrace.

Learn how simplegood design can be.

Keep the viewer involved.History is littered with great ideas, poorly expressed. Relevance to the viewer generally exists within a decreasingly small timeframe, especially now. Learn the techniques that extend viewer engagement.


Unity and rhythm elegantly explained and demonstrated. A powerful prequel for all art and design students. Wayne Hunt, Adjunct Professor, Art Center College of Design; Pasadena, Ca

Design can be something that dawns on you while you are drawing, painting, arranging type, shooting photos, etc. But you need to have been exposed to it in simple terms in the first place, so you start to know it when you see it. Kenneth Jones,artist and Lecturer, Gnomon; California State University Northridge; Northridge, Ca

Im moving the family North for a new job in Cupertino, and I have your workshop to thank, in part, for it. It was partially some of the tweaks that I made to my design process after attending your workshop that led to the client work, that went into the portfolio that landed me the job designing for, Apple. Andrew O., Project Manager, Apple Computer, Cupertino, Ca

“The…concept of repetition and variation and how if that is followed it can produce a real nice design. I plan on keeping that in the back of my mind forever. Laura C., Sr. Graphic Designer, Los Angeles, Ca

This was an eye opener. Edward C., UX/UI Designer/Developer, Moorpark, Ca

Author(s): Howard Samuel Schneider

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